The Spirit of God dances…
He can’t be tamed. He won’t be contained.
He refuses to be confined to a weekend retreat,
an evening meeting, or a moment of devotion.
He doesn’t follow schedules, programs, or agendas,
and He doesn’t wait for His name to be called.
The Spirit of God dances.
He dances right under the noses
of those who don’t believe in dancing;
and He dances right on by those who do.
He dances through the assemblies
of the keepers of the dance,
and right on out the door—
and right on out the door—
and no one sees Him go.
And as the dancers continue their pantomime,
the Spirit of God dances in the streets.
His favorite dancing places are those where the keepers of the dance
don’t want Him to go, like on smoky stages
with microphones that smell of whiskey.
The Spirit of God loves sinners and dances best
where life spills out on the floor.
Occasionally He dances on the clean, sweet-smelling stages
of the keepers of the dance—but not as often as He would like.
He dances there when there is pain or grief—
whenever life spills out on the floor.
But usually the floor is clean and the dance is simulated,
carefully choreographed by the keepers of the dance
to use only those steps with which they feel secure.
The Spirit of God refuses to be choreographed.
His dance is raw, new, and jerky.
It’s not always pleasing to the eye,
but His dance is fresh in the lives of those
whose floors have not been cleaned up.
It isn’t well rehearsed, polished, or perfect;
it slips and slides, sometimes innovative and shocking
and at other times just exhilarant,
but it’s always real.
Sometimes the dance turns to mourning,
but always there’s the dance.
Happy dance or sad dance…
the Spirit of God always dances.
Happy dance or sad dance…
the Spirit of God always dances.
Most people, even those who pride themselves in their dancing,
are afraid of this unpredictable dance.
They’re afraid of anything they can’t control;
and His dance is wild, unmanageable—even mad.
But most important, it’s vulnerable, open to criticism—
the quality they fear most.
So they must create their own dance of predictable steps
and prescribed routines
and send all their people through dance school—
or outlaw dancing altogether.
are afraid of this unpredictable dance.
They’re afraid of anything they can’t control;
and His dance is wild, unmanageable—even mad.
But most important, it’s vulnerable, open to criticism—
the quality they fear most.
So they must create their own dance of predictable steps
and prescribed routines
and send all their people through dance school—
or outlaw dancing altogether.
But this should come as no surprise. It has always been this way.
The Lord of the Dance himself was here once,
and it was the same way then.
He danced on the keepers’ holy days and broke their holy laws.
His timing—if not His whole dance—
always seemed offbeat.
He wanted to turn their empty
religious movements into
heartfelt, joyous dancing.
He wanted them to exchange the grip of the Law
for the freedom of the dance.
But they thought He was a clumsy dancer,
always bumping into their traditions
and stepping on their toes.
He even danced with the wrong crowd,
in smoke-filled rooms, with messy floors.
Once, describing His generation, He declared,
“We played the flute for you, but you would not dance;
we sang a dirge, and you did not mourn.
For John came neither eating nor drinking,
and they say, ‘He has a demon.’
The Son of Man came eating and drinking,
and they say, ‘Here is a glutton and drunkard,
a friend of tax collectors and sinners.’ “
…and the Spirit of God dances on.
by John Fischer